Aiming Your Darts | The 3 Essential Steps: Draw, Sighting and Action

Written by: Dax Munna

|

Aiming Your Darts The 3 Essential Steps: Draw, Sighting, and Action Dax Munna Blog banner

THE 3 KEYS TO AIMING YOUR DARTS

How we get the dart to our throwing hand, how we sight our target, and how we get the dart to the board happen fast for most players. In a split second, we are taking aim at a target with an incredibly quick glimpse of the board. While fast, this motion has three separate pieces we need to pull apart to understand how they effect one another. Each one of them is crucial towards aiming your darts and, in turn, the success of your throw.

DRAW, SIGHTING, ACTION

These three parts are complicated by each players’ stance and anatomy differences. We all retrieve the dart from different places, and we have different grips, hands, and arm lengths. We bring the dart up to different parts of our face and view the target from different heights and with different eyes. We all release the dart at different heights at different speeds all with the hope of hitting the same targets as each other. 


As a result, there are no strict rules for aiming your darts, but there are guidelines to make each of these steps much easier.

DRAW

The retrieval of the dart by the throwing hand from the off-hand, the raising of the dart to the Set Position*,

and the pullback of the dart by the throwing hand.


*The Set Position should be thought of as the still, statuesque spot at which the elbow doesn’t come higher and theoretically there is no motion. Not everyone pauses in this stillness like Phil Taylor; most don’t. For the sake of analysis and coaching, it is a point that everyone can stop at for assessment.

THINGS TO REMEMBER

The off-hand needs to stay anchored to some part of your torso for all 3 dart throws. This is to make sure you have a consistent place to retrieve the darts from and to lock in your core to hold your posture steady. 


The first challenge we have individually is where on the body do you want to anchor your off-hand? This will be a grand experiment for each to find the optimal spot on their torso; it will in part be dictated by arm length, hand differences, and (unfortunately) belly size. The darts in your off-hand should be held gently and evenly to allow for easy retrieval. The retrieval/exchange should be effortless.

Example of off-hand arm anchor at rest and in the set position

The challenge comes in raising the dart and pulling it back. The part that is hard to process in the moment is to NOT raise the dart past your aiming eye. Notice I did not say “dominant eye”— we will get to this in a moment.

Front view holding a dart, reading "do not raise the dart past your aiming eye"

PULLBACK OF THE DART

The last part of the draw is what you do with the dart and arm once the elbow comes to the set position. From here the question is: do you pause, pump, or go?

PAUSE

Animated gif of Phil Taylor pausing at set position
Phil Taylor Pauses at Set Position.

PUMP

Animated gif of Gerwyn Price pumping at set position
Gerwyn Price pumps.

GO

Animated gif of Michael Van Gerwen "going", throwing the dart
Michael Van Gerwen goes.

There is no right answer here; much of this is about the rhythm you have created for yourself. The only recommendation I give with this is: if you are a player that pumps, it behooves you to keep the pump as smooth, gentle, and measured as possible like Ian White. You do not want it to be herky-jerky because it is harder to repeat, and it can lead to fatigue, arm strain, and potentially issues with focal dystonia – a possible manifestation of the yips, otherwise known as dartitis.


No matter how you pull the dart back at the last part of the draw, it is important that any coil (the twisting of the dart or cocking of the fingers/hands/wrist) be complete. It is further crucial that your point be slightly elevated before your action. An elevated point allows the dart to glide more cleanly through the air, much like how a plane takes off with the nose up first.

Elevated point of arm before throwing a dart

As you can see, contemplating the draw cannot happen with taking into account sighting and action. They are completely and consequentially interrelated.

SIGHTING

The focused vision of the target with your aiming eye.

 

Aiming your darts doesn’t happen without viewing the target. Sadly, we have been misguided by the common term “dominant eye” as it applies to darts and all targeting applications. When we think about eye dominance generically, we tend to default to thinking that means for everything all the time the same way we think about handedness. That is not the case.

Close up photo of a brown eye

There are varying definitions across many references which suggests that our collective knowledge in the subject is still evolving as the science does. Here is one that touches on a healthy way for dart players to think about it: 


“The superiority of one eye whose visual function predominates over the other eye. It is the eye that is relied upon more than the other in binocular vision. It is not necessarily the eye with the best acuity”.The Free Medical Dictionary


Furthermore, there can be different types of eye dominance which muddles our understanding of “dominance”. 


  • Sighting Dominance – The preference of one eye over the other when fixating on a target. 
  • Motor Dominance – The eye that is less likely to lose fixation at the near point of convergence. 
  • Sensory Dominance – The eye that has stronger vision that the other.
Ocular dominance test example

There is no direct correlation between laterality (handedness) and ocular dominance. Science thus far has shown that handedness is controlled by one hemisphere of the brain, while binocular vision requires both hemispheres of the brain.


For the sake of how doctors and scientists like to assess eye dominance there are multiple “tests”:


  • The Miles Test
  • The Porta Test
  • The Dolman Method
  • The pinhole test and a handful of others.

Roughly 67% of the population is right eye dominant based on these assessments. Roughly 90% of the population is right handed. In assessing which eye needs to be trained on the target, I found the above incomplete. If any of these tests were definitive across the board for every possible application, there wouldn’t be so many different tests. It became apparent to me that the posture of a particular activity played a role in what eye wanted to predominate aiming. I took my reading and experimentation back to our games’ roots in archery.

Jake Kaminski aiming a bow and arrow
Jake Kaminski - Olympic Archer

Jake Kaminski, an Olympic archer uses the term “aiming eye” to get away from our layman thinking on eye dominance. Darts is an aiming sport in which we purposefully and necessarily move the projectile in front of our vision before propelling it. It is wholly unique in that regard.


The key is simple but it needs to be stated: The throwing hand on the draw and on the action must NOT cross in front of your aiming eye. If we cross in front of that eye, we lose sight of the target for a split second. This is akin to blinking. The one thing that none of us do when we release the dart is blink.

FINDING YOUR AIMING EYE

Now the important question: How do I figure out which eye is my aiming eye for darts?


The test that needs to be done should be specific to each players’ stance on the oche. The best way a darts player can assess this is to get into your stance, look at the T20, draw the dart up to the set position, pull the dart back, and STOP. Now slowly, one at a time, take turns closing each eye. With most players, one eye will see a blurry flight close to their face and the other eye will be trained on your target. The eye that still sees the target is your aiming eye; it is the eye you cannot cross on your draw or action.

Hand holding a dart in set position
Hand pulling a dart back before throwing

This is not to say you should squint your other eye or that the other eye doesn’t matter; it most certainly does. The more information your eyes take in, the better. Having both eyes open helps process depth perception and keep balance.


If by chance you do this assessment and you see the target equally with both eyes and don’t see the dart with either, you are not bringing the dart close enough to your face to aim well. You are simply looking at the target with both eyes. Imagine for a moment not bringing a bow and arrow up to your sightline. Or not bringing a firearm or a pool cue into your sightline. In any of these aiming activities you can find comfortable postures to see targets with normal, binocular vision, but your accuracy will be greatly diminished in doing so.


On the pull back of your dart, it should come in front of, or slightly to the side of your face, in order to aim thoughtfully at the target.

Holding a dart in front of your face
Holding a dart to the side of your face

CROSS EYE AIMING

It is common for players to have cross eye aiming. Meaning a righty who aims with their left eye, and a lefty who aims with their right eye. The draw usually comes lower around the belly to clear the aiming eye without crossing it. Michael Smith and Adrian Lewis exemplify this very well. Players who throw and aim with the same side of the body need to be mindful of the elbow not flailing too far to the outside of the shoulder.


When a player is challenged with staying clear of their aiming eye, you may see them go wide to one side or another on the oche and/or slightly cock their head at an angle. It is also unbeknownst to us as the observer the acuity of vision of either eye of a player as some have severe discrepancies between eyes. Wes Newton, Andrew Gilding, and Stephen Bunting do such on the oche apparently to clear their vision.

Wes Newton aiming a dart, leaning to the side
Newton steps far right and tilts his head.
Andrew Gilding aiming a dart
Gilding steps far left on the line.
Stephen Bunting close up photo
Bunting steps far right on the oche.

ELBOW POSITION

Now it is all coming together. Where we draw the dart from our off-hand and how we bring it up routinely are vital in sighting the target cleanly. Placement of the off-hand, stance on the oche, and arm length, and lateral placement of the elbow all come into play for making sure the aiming eye is not crossed in front of. It is a grand experimentation for the placement of each body part, especially the elbow.


The elbow placement is dictated by the muscles in the shoulder. I want you to think of the Set Position of the elbow like the 3 axes (plural of axis) of aircraft flight: Pitch, Yaw, and Roll.

3D animated model of a plane rotating in 3 axes

PITCH

Animated gif of height of elbow in set position
Controls the height of the elbow and angle of the point upon release. We know we want to keep the set position elbow height below the shoulder. 

YAW

Animated gif of how far in or out your elbow is in set position
Controls how far in or out you want your entire forearm (elbow to wrist). For example, at the utmost extreme we do not bring our arm out like when throwing a baseball. We keep it in, in front of our body.

ROLL

Animated gif of lateral placement of the elbow in set position
Controls just the lateral placement of the elbow while keeping the wrist in front of your face. This is the most important facet in avoiding crossing your aiming eye.

Do this experiment: Bring your arm up into the set position and experiment with the roll of your elbow. If you bring it to the outside, your hand comes more in front of your face. If you bring the elbow into your chest, the hand moves out over your throwing shoulder. This is different for everyone but cannot be overlooked when drawing to keep your sighting clear.

ACTION

The forward motion of the arm in propelling the dart to the board.

 

Comparatively this is the easy part of aiming your darts, but there are a few things that need to be remembered: Though the elbow starts below the height of the shoulder in the Set Position, it meets the height of the shoulder upon full follow-through.

Elbow below the shoulder in set position
Elbow at shoulder height upon follow-through

The release of the dart begins just after the hand starts coming forward. If you are a player that feels that they can’t reach the top of the board but have enough power in your throw, it is because you are releasing the dart too late.

As soon as your follow-through is complete, the action of one dart leads to the draw of the next dart – and the cycle of aiming starts anew.

Respectfully,


Dax

Dr. Manhattan

Author Dax Munna, Dr. Manhattan

Dax Munna is an international darts instructor who works with players of all levels; from beginner to PDC professional, online and in-person.


Reach out on Facebook or DaxMunna@gmail.com with questions and coaching inquiries.

Leave a comment